Archive for the ‘Events’ Category

Thunder-Sky, Inc. 2020: Now It’s Time to Say Goodbye

Posted on: 2 Comments
Raymond Thunder-Sky, Keith Banner, Bill Ross, and Antonio Adams, circa 2002

Almost 20 years ago, when we were all getting to know each other, Raymond Thunder-Sky, Bill Ross, Antonio Adams, and I (along with a few other folks) took a fieldtrip to Anaheim, California, for a disability conference where we set up a table featuring artworks by Raymond and Antonio.  The conference was right across the street from Disneyland, and Raymond spent most of his time there, while the rest of us sat at our art booth, doing what you do at conferences.  Raymond didn’t like the whole scene obviously, and we would get reports from his support person who came with us that he was having a high old time riding rides, eating Disneyland treats, just basically being himself. 

This trip really is mythic to me because it was the first time all of us hung out together, and also the first time we all felt connected to something outside of Ohio, outside of our usual haunts and selves.  Even though we didn’t know it at the time, this trip was about a solidarity we were forming, a mutual momentum we were creating that would eventually yield a lot of great stuff in the future, including Visionaries + Voices and Thunder-Sky, Inc. 

Almost 20 years later, after a lot of other adventures and exhibits and antics and joys, it’s time for us, as the Mouseketeers used to intone, to say goodbye.  2020 is going to be Thunder-Sky, Inc.’s last season as an art gallery.  We’ve accomplished our mission for the most part.  We’ve hosted over 100 exhibits in our space and curated exhibits at 50 other places (including in Denmark) in the last 10 years.  We’ve archived all of the drawings (over 2200 of them) Raymond left behind on a website everyone can access (, co-produced a feature-length documentary about Raymond’s life, and in 2016 coordinated the unveiling of a permanent sculpture memorializing Raymond in Covington, KY, created by Tom Tsuchiya. 

Our work is done in many ways, and we’re ready to pursue other endeavors, always keeping Raymond in our minds and hearts of course, and also maintaining his archive and his memory online and in any other way that pops up.

This last exhibition season, like the other 10, features a wide, wild variety of artists and ideas, all coordinated in service to sustaining Raymond’s memory and his unique aesthetic and presence.  We want to thank every artist, curator, and everybody else who has ever helped us maintain the integrity and sweetness of this space.  Season 11 is in tribute to all of you.

Back in 2001, we also tried to track down Raymond’s birthplace in Hollywood while we were in the vicinity.  We rented a van and went on a search, watching Raymond’s face to see if any of the hilly neighborhoods rang a bell.  Unfortunately, it didn’t yield any results.  The effort was worth it though, just to pursue a common quest, trying really hard to track down the past, but mainly just enjoying each other’s company, the atmosphere.  We hope that’s what everyone will think about Thunder-Sky, Inc.’s legacy.  It was an effort that was worth the energy and time just because we were all in it together.

Keith Banner, Thunder-Sky, Inc.

LEAP YEAR CAKE FARM:  Sharon Butler, Bill Ross, Jeremy Johnson, Jan Nickum, Katherine Michael, Jim Damico, John Ross, Jessica Wolf, Sara Caswell-Pearce, Kenton Brett, Emily Brandehoff, and Laurel Tope.  Mass media works by a cavalcade of artists celebrating leap-year birthdays, with “cake” at the center.  Opening reception January 11, 2020 6 – 10 pm.  Show closes February 29, 2020.

EMINENT DOMAIN:  Reed Ghazala, Jason V Mann, Patrizio Martinelli.  Collages, assemblages, and photographs all focused on the meaning of private property and public imagination.  Opening reception March 14, 2020 6 – 10 pm.  Show closes April 30, 2020.

SIGN/SYMBOL:  LOOKING AT THE WORLD VIA HIGHWAY 127:  Robert McFate, along with Sayla Johnson, Lauren Allen, Clifford Land, Brian Pollard, Angie McFate, and David Earl Johnson, alongside “Trust me” a show by Anna D’oh in our basement space, Under-Sky.  Artist and litter activist Robert McFate walks the streets of Cincinnati with a magnet on a string collecting fragments of metal and using the bits to create art; this exhibit is dream that he’s been having for over 10 years and pulls together a wild and wonderful assortment of artists to make it come true.  Opening reception May 9, 2020.  Show closes July 4, 2020.  

BACKBRAIN:  David Roper and Bill Ross.  Paintings and scribbles by two artists whose practices and products intermingle on the mental back-porch.  Opening reception July 11, 2020 6 – 10 pm.  Show closes August 31, 2020.  

LEFT BRAIN, RIGHT BRAIN:  Original paintings, drawings, photographs, and multiples, created by imaginative regional  artists, curated by Tom Strohmaier. All proceeds will be donated to the Alzheimer’s Association in search of a cure.  Opening reception September 12, 2020 6 – 10 pm.  Show closes October 17, 2020.   

VIOLET % GENEROUS:  Antonio Adams, Tony Dotson, and Pam Kravetz.  Adams completes a cycle of works and shows from his experience as the Artist-in-Residence of Thunder-Sky, Inc. for 11 years.  This one is a culmination of a lot of thought, work, and hope.  With help from some very talented friends.  Opening reception October 30, 2020 6 – 10 pm.  Show (and gallery) closes December 12, 2020.

A Decade of Thunder-Sky, Inc.

Posted on: No Comments
Carl Truman and Steve Kemple are hosting our Halloween basement gig 10/27/19…

Celebrating our 10th anniversary at Thunder-Sky, Inc. with some great stuff:

10/26/19 6 – 10 pm THE LAST PICTURE SHOW (upstairs) featuring Dale Johnson, Carla Knopp, Brigham Martin, Zach Schwab, and Brant Withers. SHELTER IN PLACE 3 (downstairs), Holly Prochaska’s artsy fundraiser for Planned Parenthood.

10/27/19 4 – 8 pm GROWN AND SPOOKY HALLOWEEN with Carl Truman and Steve Kemple featuring ghost stories and pumpkin carving.

11/2/19 7 – 9 pm MUSIC with Nonconnah, Droneroom, and Sarah Dactyl…

“The Last Picture Show” Debuts 10/26/19 at Thunder-Sky, Inc.

Posted on: No Comments

Thunder-Sky, Inc. (4573 Hamilton Avenue, Cincinnati) presents, “The Last Picture Show: Dale Johnson, Carla Knopp, Brigham Martin, Zach Schwab, and Brant Withers,” opening October 26, 2019, reception 6 – 10 pm. Show closes December 13, 2019. “The Last Picture Show” features multiple works by a variety of artists who delve in appropriating and reconfiguring photographic works through collage, technology, and other means. Each of the selected artists find new ways to distort what some call “reality” and others call “dream” or “nightmare.” (Image: still from “Morning on Earth” by Carla Knopp.)

“Product Placement” Opens 8/11/18 at Thunder-Sky, Inc.

Posted on: No Comments

We are really really excited about this gig!

Thunder-Sky, Inc. presents “Product Placement:  A Variety of Works by Kevin Cascell, John Humphries, Paul Thie, Logan Walden, and Kevin White”, opening with a reception 6 to 10 pm August 11, 2018.  The exhibit closes October 5, 2018.

All the artists in “Product Placement” have a vested interested in working through and reworking the materials and ideas they use and pursue.  The artistic products they produce vary in shapes, sizes, techniques and approaches, but they all have a playfully aesthetic sense of subject matter and style.  We’ll be honing in on all this beautiful disparity in the curating and installing of the exhibition as well, finding both themes and disjuncture among the works, in order to produce an art show that focuses in on placement just as much as product.  Should be a showstopper.

Images: Top Paul Thie, “Sex Cam,” acrylic on unstretched canvas. Bottom John Humphries, “One Harmonic Module,” watercolor and wood on paper.

“Lalley! Lalley! Lalley” Explores the Art of Family

Posted on: No Comments


December 21, 2017 –  Opening January 6, 2018, with a reception 6 to 10 pm, “Lalley! Lalley! Lalley!” features the Lallley family who live in Northern Kentucky and both as a family and individually make incredible art.  The exhibit closes February 3, 2018.

According to Brian Lalley, father and husband, “People will hopefully leave the show with a great view of what it is like to live in our crazy art household!”

The artists in the show include Brian Lalley, Sarah Lalley (mother), Gavin Timmerman (17), Sage Lalley (14), Matthew Thomas (13), Jackson Lalley (6), and Ryder Lalley (6).

Says Brian, “Sarah and I produce a lot of work together very cohesively. We always try to encourage our children to participate or try things if they seem interested. Together or separate, there are always things being produced in the house.”

This show was inspired by the Lalley’s six-year-old autistic son, Ryder.  As artists themselves, Brian and Sarah are amazed at his vision of the world he lives in and the amount of work Ryder produces.  That prolificity generated the whole concept for “Lalley!” and also allowed the Lalleys to include all five of their children, who all have their own things to express as well.

“Why not give them that chance?” asks Brian.

Thunder-Sky, Inc. 2017: GROUPTHINK

Posted on: No Comments


Every exhibition season we tend to choose a theme.  2017’s thematic just kind of happened accidentally, though, in a wonderful little bit of serendipity.  It turns out every exhibit people pitched to us, or we came up with on our own, is about groups of artists coming together to think and work through a variety of subjects and topics that truly reflect Mr. Thunder-Sky’s instincts and obsessions.  Enjoy…

“Thunder-Snow:  Artists Remember the Blizzard of 1978,” January 7, 2017 (opening reception 6 to 10 pm) – February 4, 2017.  Artists from across the area recover memories of the 1978 blizzard that blanketed the region, a multi-media exercise in aesthetic cabin-fever.

“Moonlight Madness,” February 11, 2017 (opening reception 6 to 10 pm) – March 31, 2017.  Curated by Thunder-Sky, Inc. Artist-in-Residence Emily Brandehoff.  Artists reclaim discarded prints and paintings (from thrift-stores and other sources) and reimagine them with their own materials and images.

“Otherwise:  Keith Benjamin, Ben Clark, and Richard Emery Nickolson” April 8, 2017 (opening reception 6 to 10 pm) – June 2, 2017.  Benjamin, a professor at the Cincinnati Art Academy, Clark, a self-taught artist from Hamilton, Ohio, and Nickolson, Professor Emeritus from Herron School of Art and Design, make works that stand alone as personal totems of moments from their lives.  Their works exhibited side by side by side reveal the poetic connections among disparate imaginations.

“Pop Press,” June 10, 2017 (opening reception 6 to 10 pm) – August 4, 2017.  Scott Bruno, Creative Director at b graphic design, has amassed a large number of interesting and bizarre news clippings and other ephemera throughout the years, including personal ads like this, “DEAR RAY, Remember our first date?  I smelled fried chicken.  I was overmedicated several months after our daughter died.  Call me, babe.”  Bruno is pairing up a select group of artists with these bits and pieces of eclectic information as prompts for a variety of works that survey strangeness by beginning with the strange.

“The Master of Loyalty Is in the Gallery Tonight:  Art about Antonio Adams,” August 12, 2017 (opening reception 6 to 10 pm) – October 6, 2017.  Pique Gallery (Covington, KY) co-owner and curator Lindsey Whittle curates works by a variety of artists inspired by local genius (and Thunder-Sky, Inc. Artist-in-Residence) Antonio Adams.

“Lay Off Me I’m Starving:  Aesthetic Reponses to Chris Farley,” October 14, 2017 (opening reception 6 to 10 pm) – December 29, 2017.  Commemorating the 20th anniversary of Chris Farley’s death (12/18/1997), “Lay Off Me I’m Starving” invites artists from the region to contemplate Farley’s legacy as bombastic, slapstick clown, perennial people-pleaser, and tragic genius.  On the exact date of his passing, we will be sponsoring a reading of literary works about him, as well as screen Tommy Boy, to close the show.

Master of Loyalty

Posted on: No Comments




Outcast Poster


Thunder 006










Art Thing Master (2)


Antonio Emily




Antonio Adams has earned his status as Master of Loyalty, as you can witness from the photos above.  He has been working hard for the last 17 or so years on perfecting a body of artwork that reveals what it means to be an artist and a friend.  He’s the Artist in Residence at Thunder-Sky, Inc.  He’s the co-founder of Visionaries + Voices.  (In fact it was his brilliance and kindness and sense of duty that spawned the whole idea of an art studio specifically for self-taught artists; he drew out the initial plans, and he created the atmosphere and ethics for both Thunder-Sky, Inc. and V+V.)

Antonio’s a hard worker and a survivor and he can make art that not only reflects trials and tribulations, but that celebrates his own genius without any self-involved BS.  He is building a world inside his head and then making it happen externally through art shows and costumes and manifestos and funky parties.  He works hard at Frisch’s.  He works hard at Thunder-Sky, Inc.  He keeps Raymond Thunder-Sky’s spirit alive through practicing what he and Raymond always preached:  get a job, do it well, be kind, laugh, move forward.

Antonio’s latest gig at Thunder-Sky, Inc. opens August 26, 2016.  “Well-Known Pacifically” is the final installment of a trilogy of shows started in 2012, and is a survey of all the work he’s done in creating that trilogy, including the debut of a masterwork.  There will be red-carpet, velvet-ropes, a Tribute group show to Prince in the basement of the gallery, and some food and beverages.  6 to 10 pm reception. 

“Life on Mars” in the Basement

Posted on: No Comments


Thunder-Sky, Inc. fave Emily Brandehoff is curating a big gig to go along with our April/May/June show, “Radically Visible.”  She has sent out a call to artists for “Bowie in the Basement,” which will feature over 40 artists’ renditions of what David Bowie meant to generations of people.  Obviously the show is in the basement, and during the opening April 29, 2016, we’ll be karaoking some of Bowie’s best tunes in effigy.

Everyday Is a Performance

Posted on: No Comments


Antonio Adams


Craig Matis


Sky Cubacub


Lindsey M Whittle

April 29, 2016 (reception 6 to 10 pm), Thunder-Sky, Inc. presents “Radically Visible,” featuring the works of Sky Cubacub, Lindsey M Whittle, Craig Matis, and Antonio Adams. Also on the bill, in the gallery basement, Thunder-Sky, Inc.’s Emily Brandehoff is curating “Bowie in the Basement,” featuring over 30 artists’ visions of what David Bowie meant to generations of fans and artists.  Both exhibits close June 11, 2016.

Cubacub, Whittle, Matis, and Adams are artists who use costume, performance, language, and symbol as vital ways to break down the barriers between artists and audience, and to both celebrate and invigorate the conversations and tensions around identity, appearance, and meaning.  The title and spirit of “Radically Visible” come from Cubacub, who writes, “Everyday is a performance where I bring my body as a kinetic sculpture into the consciousness of the people I interact with.  Clothing is your second skin; it changes the way you hold yourself.  I consider it armor because it has the power to give you the confidence and strength to feel comfortable in your first skin.  Society wants us as QueerCrips to be invisible, to not draw attention, and this is reflected through the clothing options that are available for people with disabilities and undergarments for trans* folks.”

The works in the show range from clothes and performances to paintings, drawings, and collages.  Performances will happen throughout the evening of the opening reception.

Artists Bios and Statements:

Antonio Adams:  Born in Cincinnati in 1981, Antonio Adams has been drawing, painting and creating since he was a little boy. Now his work is exhibited and collected nationally.  He is one of the co-founders of Visionaries & Voices, an arts organization for artists with disabilities in Cincinnati, as well as Thunder-Sky, Inc., an art gallery also in Cincinnati.  His sculptures, paintings and drawings have been featured at White Columns Gallery in New York City, The Outsider Art Fair (New York City), The Contemporary Art Center (Cincinnati), The Cincinnati Art Museum, Base Gallery, Visionaries + Voices, the Pittsburgh Folk Art Exhibit and Symposium, Middletown (Ohio) Fine Arts Center, Fitton Center for Creative Arts (Hamilton, Ohio), University of Cincinnati Gallery, Kennedy Heights Arts Center (Cincinnati), Country Club Gallery (Cincinnati and Los Angeles), and In the Gallery (Nashville, Tennessee). His art was featured in an exhibition at the Museum of Everything in London, England.  He has an upcoming exhibit at the Westin Gallery in Cincinnati in November 2015.  Antonio Adams wears an elaborate costume to every art opening he attends. Made from felt, glitter, and fabric paint. Antonio calls it his “Art Thing Kingdom Master” attire. A triangular facemask shields the bottom of his face, and on his head he wears a crown. Antonio features himself in this costume in many of his drawings and paintings as well.  He has been diligently building a visual and moral philosophy that has sustained him through a lot of stress and strife, including the untimely death of his mentor and friend, Raymond Thunder-Sky. Clown- and construction-worker-costumed when he journeyed throughout the city, Raymond was a fixture of downtown Cincinnati street-culture for over 20 years. He was an artist who gleaned inspiration both from performance and from drawing the world exactly the way he saw it.  Raymond’s drawings are done mostly in pencil and magic-marker, and depict buildings being torn down and replaced by imaginary facilities with titles like Clown Suit Factories and Card Trick Amusement Parks. Each drawing is organized straightforwardly, with imagery of construction and demolition festooned with a few lines of narration in a careful script. In one archetypal drawing, a movie theatre is gutted, with a wrecking ball suspended above the wreckage, a nearby caption reading: “Last showing at Old Valentine Theatre in Downtown Toledo Will Being Torn Down to Clearing Way for New Ringling Brothers & Barnum & Bailey Circus Store.”

Sky Cubacub, the creator and founder of Rebirth Garments, is a Gender Queer Person of Color who lives and works in Chicago, IL. They first took a chainmaille class from Rebeca Mojica of Blue Buddha Boutique when they were 13 years old. They were drawn to the tactility of the medium, and ended up finishing their project by the time everyone else had only completed an inch. In June 2010, Sky showed Repetitive Motions, a debut collection of eighteen garments.  They used materials such as scissors, aluminum sheet metal, wax, bicycle inner tubes, paper and their first love, chainmaille, with astonishing skill that is a result of obsessive repetitive practice. Their designs are couture in the truest sense of the word, for they create every piece by hand for specific individuals to wear in calculated combinations, an overall vision that is a “portrait” of that individual’s personality. “My interest lies in using the form of the body to hold art. My work is sculpture over fashion”, says Sky. Sky received full tuition Presidential, and Governor’s merit scholarships from the School of the Art Institute of Chicago, where they graduated with a BFA in May 2015. In summer of 2014, Sky started a new line of custom gender non-conforming lingerie, clothing and accessories for people on the full spectrum of gender, size and ability called Rebirth Garments (  Artist statement:  I have always been interested in the strength that chainmaille suggests. I have been building myself this armor or protection, not against harm exactly, but as a way to give me courage. It has given me the strength to be social. Visibility is an important factor in my personal work, which has forced me to get over my shyness. In the same way that makes me less shy, it is also is kind of a crutch. It is my way of meeting people; I never have to approach anyone, because they always approach me first. My chainmaille is a prosthetic for the communication of my inner world. My body, my identity and my prosthesis are one cohesive being.  Everyday is a performance where I bring my body as a kinetic sculpture into the consciousness of the people I interact with in passing and on a daily basis. Clothes are a representation of our culture. It is a personification of an industrialized culture where repetition is used in the service of the assembly line. In my practice, the intensive handwork makes the process the most important part and gives me inspiration. Chainmaille has been the catalyst to every other medium that I excel in; all of the mediums I enjoy are obsessive and have repetitive patterns. Through chainmaille, I have found my patience.  My work is an exploration of different repetitive movements: the opening and closing of jump rings, the up and down movement of the needle, the pulling of a squeegee, and the repeating shapes I cut. This repetitive process is used to create custom made garments, more couture than manufacture. It is perhaps a representation of a culture in transition to a post-industrialized society; one whose emphasis is not the production of goods, but concepts, innovations, knowledge, and service.  Rebirth Garments is my soft armor. My collection challenges mainstream beauty standards, sizeist/ ableist notions and the gender binary. Clothing, especially the foundation garment is the closest thing to your skin, it is your second skin; it changes the way you hold yourself. I consider it armor because it has the power to give you the confidence and strength to feel comfortable in your first skin. Society wants us as QueerCrips to be invisible, to not draw attention, and this is reflected through the clothing options that are available for people with disabilities and undergarments for trans* folks. Rebirth combats this invisibility cloak by refusing to assimilate through a dress reform movement; a politicallyforceful aesthetic style I call “Radical Visibility”. Read my manifesto at

Craig Matis is from Cleveland, Ohio.   “Much of my work, although not all, has pertained to social inclusion/exclusion. In the past, issues such as racism and parenting an autistic child have been addressed.  The circus, in the context of the visual arts, has often been presented as a metaphor for the human condition. The circus is a non-traditional community that has always existed outside the mainstream of society.  With the creation of “Tightrope: Walk the Line”, a wall installation that combines visual art with an original song, the most direct visual approach could have been executed by a much more literal interpretation of the song. However, I chose to come from an entirely different angle by drawing a parallel between the circus world and a group of people that society also looks upon as existing outside the mainstream: the trans* community.  Though much has changed for the trans* community in the last few years, with regard to the public’s awareness, there is still a measure of societal ignorance and discomfort about the struggles these individuals endure to become the people they believe they were always meant to be.  I am not a trans*, but speaking from the perspective of an ally, and based upon readings and interviews I conducted with trans* individuals, I have attempted to express the frustration, anger, and isolation that can often be part of living as a trans* human being through the creation of this work.”

Lindsey M Whittle received a BFA in painting from the Art Academy of Cincinnati in 2007. She taught English as a second language for 1 year in 2009, in a fashion high school in Gifu, Japan. Whittle spent 5 years from 2007-2012, teaching art to youth at Baker Hunt Cultural Art Center in Covington, KY. She continued her education studying fashion at the University of Cincinnati for 3 years from 2009-2012. She then went on to pursue a masters in fashion at the School of the Art Institute of Chicago from 2012- 2014, all while maintaining her position as the “Master Crafter” at Kiki Magazine from 2012- 2015. Whittle is presently co-running PIQUE (art space) with fellow artist Annie Brown, dabbling in costume sewing for Schenz Theatrical, freelancing, and teaching her heart out in sewing and performance art from middle school through college.  Artist statement:  Lindsey M Whittle is performance/fashion/visual artist that uses silliness as a starting off point to collaborate with others and spread good cheer. Whittle tries to set a stage for other great minds to come in and activate her work. Her work is often connected to things wearable and the body. There are almost always elements of play, change, transformation, interactivity and possibility in everything she does. She strives to enrich people’s lives on a simple daily level, therefore the setting for her work functions best in public places where people are. She has worked with bright colored versions of materials such as: fabric, wood, foam, wearable paper, make-up, Velcro, acrylic Plexiglas and more. For contact and/or more information visit

“Utopia Parkway Revisited” Opens 2/26/16

Posted on: No Comments

Matthew Waldeck Jr.

Matthew Waldeck Jr.

Christian Schmit

Christian Schmit

Matthew Waldeck Sr.

Matthew Waldeck Sr.

Jeff Casto

Jeff Casto

Marc Lambert

Marc Lambert

Joseph Cornell is one of those peripheral and yet totally important figures in contemporary art history who haunts and informs a lot of what is made and seen today. He passed away in 1972, and yet his influence and the scope of his ghostliness illuminate a lot of what has happened artistically and aesthetically in the 20th and now 21st Centuries. “Utopia Parkway Revisited: Contemporary Artists in Joseph Cornell’s Shadow” (opening February 26, 2016 with a reception 6 to 10 pm and closing April 9, 2016) features beautifully and incidentally Cornell-inspired works by Jeff Casto, Marc Lambert, Christian Schmit, Matthew Waldeck, and Matthew Waldeck Jr. They all make art that both mimics Cornell’s approach (collage, sculpture, assemblage, and appropriation), as well as the spirit involved in his vision, creating and recreating an aesthetic universe based in nostalgia, obsession, and pop culture. Casto’s works are the closest in spirit and materials to Cornell’s boxes, but he also has his own sense of deadpan whimsy and ache, as if he’s taken in Cornell’s need to make something out of nothing and pushed resources and dreaming to their limits. Lambert’s works featured in the show respond to Cornell’s use of everyday materials (Lambert paints on ceiling tiles), and also to his starry-eyed sense of cinema and history. Lambert meticulously recreates universes collaged from movie-scenes and folklore, juxtaposing Sasquatches with pyramids, pterodactyls with UFOs, a psychic boyhood embellished with a sense of sentimental ache and poetry. Waldeck, Jr.’s drawings have that same sense of longing for Utopian context. Executed in magic-marker on 8″ X 11″ sheets of paper, they function as a sort of illuminated manuscript informed by television, solitude, and a search for more than is there. Waldeck, Sr. creates funky, frenetic dioramas (and other contraptions) made from machine parts and other junk. They playfully reference space-travel, carnivals, and miniature civilizations, in a Cornellian flourish and flicker. Schmit’s one piece in the show is truly masterful, and acts as both a comment on, and a rapturous biographical portrait of, Cornell, constructed with a painstaking accuracy and ingenuity pretty much akin to everything Cornell accomplished.



4573 Hamilton Avenue Cincinnati, Ohio 45223
Hours: Saturday/Sunday 1 to 4 pm, or by appointment.

(513) 426-0477 |

Recent Posts